This article focuses on the narrative work of Amara Lakhous, the Algerian writer using since 2006 Italian as language of literary expression, and well known to a wider readership in Italy and abroad especially for his novel "Scontro di civiltà per un ascensore a Piazza Vittorio". This study tries to see if this novel could be defined as a rewriting of C.E. Gadda's novel "Quer pasticciaccio brutto in Via Merulana"; furthermore, other aspects of intertextuality are examined, first of all the structural and thematic similarities with Italian comedy movies from the 1950s to the 1970s: and aspect which until now has not been sufficiently examined and which seems to offer the main access tu Lakhous' narrative style.

"La narrativa di Amara Lakhous e i suoi intertesti"

MOLL N
2014-01-01

Abstract

This article focuses on the narrative work of Amara Lakhous, the Algerian writer using since 2006 Italian as language of literary expression, and well known to a wider readership in Italy and abroad especially for his novel "Scontro di civiltà per un ascensore a Piazza Vittorio". This study tries to see if this novel could be defined as a rewriting of C.E. Gadda's novel "Quer pasticciaccio brutto in Via Merulana"; furthermore, other aspects of intertextuality are examined, first of all the structural and thematic similarities with Italian comedy movies from the 1950s to the 1970s: and aspect which until now has not been sufficiently examined and which seems to offer the main access tu Lakhous' narrative style.
2014
Letteratura transculturale italiana
Intertestualità
Riscrittura
Migrant writers
Commedia all'italiana
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/20.500.14086/2382
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